Superhero Music Ad # 1, And How I Started Making Music


Behold, poster number 1 for that Superhero Music, coming atcha at the speed of AWESOME this month.


You can watch me drawing it here.

Now, don't get it twisted - that's not the cover. That's just the first advert. A big ass version of that will going out to preorderers tomorrow. Preorderers can also expect their first exclusive video content early next week. Music will start leaking soon too.

Drum roll...


An audiovisual event of Galactean proportions from Akira The Don! March 29th 2010!



Yeeeeeeeah baby.

So, Kidproskate sent me an email just now. He (or mayhap she) writes:

I just want to say that you inspired me to make music and I wanted to know what software did you use when you first started out?

Well, firstly, I thank you for a your email, succinct and sweet as it is! And thank you for your question. It is an excellent one, that I can't believe I haven't answered properly before....


I started producing my own songs back in 2004 2003. I messed around with Fruity Loops, which my old pal Kool Kid Fresh from Crack Village had shown me, using the keyboard I type with instead of a proper one, and my girlfriend at the time Liz's copy of Acid, all on a super-crappy oatmeal grey PC. I think it was Acid 4. I chopped drum sounds out of old vinyl in Soundforge.

Soon after that Fruity Loops turned into FL Studio - because the previous name was putting sexually insecure rap producers off using it (true story!) - and I started getting into VSTs and software synthesisters like Absynth. I had a cheap ass microphone I got from Dixons. Around that time also another important thing happened - my friend Mothboy introduced me to compression. This was all I needed to make tunes that sounded so great that Interscope gave me a record deal, and I spent a whole gang of their money on getting a souped up PC, an excellent audio interface and microphone and proper, legal copies of all the software I used. I also invested in some brilliant, if pricey softsynths, like Spectrasonics' Atmosphere and Trilogy. I also got a Roland Juno-D Synthesizer which is ace for writing songs on even if the PC's switched off. I use for its internal sounds and as a midi device.

Nowadays I still use ACID Pro (which is up to version 7) and Sound Forge, both of which have been bought by Sony since I started using them, but I don't use FL Studio anymore. I use Fxpansion's Guru (another suggestion of Mothboy's!) running through Acid for banging out beats with my Akai MPD 16, which is basically the pads from an MPC connected via midi to the computer. My favourite synths are still Spectrasonics' as well. Atmosphere has upgraded to Spectrasonics Omnisphere, which is an a amazing, hugely powerful synthesiser cable of almost anything I could wish for from a synth, and Trilogy just turned into Trilian, a shockingly versatile bass module. I still chop drum sounds off of old vinyl.

I should probably do a video about all this, huh? Back in the day me and Birddog were talking about doing an instructional series teaching people who to sample and make tunes in Fruity and Acid. I should get back on that. Each one teach one, right? Spread wisdom!

Right. Speaking of which, Matt Hall, AKA normannumneric emailed me the following:

This has mysteriously appeared in my local Norwich underpass. Gives me a smile on my way to work in morning!



So, I got some (ha!) sleep, and I listened to the noises Birddogg was making up here while I was down in New York, doing whatever it was I was doing in New York. Like, there's some ill stuff. But one in particular is just tremendous. it is mighty. It fills my heart. And prefectly fits so many of the raps I was writing in New York, tempom flow, everything. So, what I've done, is draw various raps, and bits of raps, together, to create this New York song that's been brewing all the time I've been here. It is best I get it out now, before I FORGET. Annoyingly, the necassary component is missing. So piss.

Bad: All the stuff I bought last week - food, drink, socks, weed - is gone. Mostly. I got a lot of Ritz crackers, peanut butter and macaroni. Good: There's a Death's Head Moth on my window. (See right) Bad: There is animal shit by my window. Good: The air outside is fresh and envigorating. Bad: The air in the top level of the house, in which I am supposed to be dwelling, is thick with the stink of animal and of animal excrement.

I went to turn on the sauna earlier, and nearly trod in cat shit. Or dog shit. It could be both. Whatever. It's like, wow, sauna! Oh, catshit. Wow! Oh. Wow! Oh. Etc. So, I wanted to go into town and get a job today, to pay for my ticket back to New York, but waited about for people to come with me rather than just doing it, and the end result is it's super late now, too late to get a job anywhere, and everyone's going into town to go out, save me, who must stay at home cos he has no ID (this is a worry), and it's too far to chance not being allowed in anywhere.

A ha!

So I should write more now. I wrote a bunch earlier. Phil is worrying that Amy has forotten his ass, as she went in her tiny car to take Cecelia and James over an hour ago. But she hasn't forgotten him. It's just miles from ShanGayKen to Woodstoock! A HA!

I just asked Spiky if he has a message for the world. He said, "spitroast!" So there you go.